Pepsiman is an action game[1] that consists of four stages, each divided into smaller segments,[2] and each involving the superhero Pepsiman saving a person who is in need of a drink, such as a military man in the middle of a desert, by giving them a can of Pepsi.[3] The stages are all based on real locations, such asSan Francisco and the Tokyo subway.[2] The game is played from a third-person perspective, with Pepsiman automatically running forwards through the stage,[3] sometimes running through people's living rooms.[2] The player aims to dodge obstacles, such as cars, construction cranes, and people,[3] as well as Pepsi-branded obstacles, including a Pepsi truck.[4] The player does this by using four different moves: running, dashing, jumping, and super-jumping.[2] The player gains points by collecting Pepsi cans.[4]
In some stages, Pepsiman's head becomes stuck inside a steel drum, which inverts the controls, and in some, he uses a skateboard. Throughout each stage is a number of checkpoints; if the player gets hit by obstacles too many times, they have to restart from the latest checkpoint. Each stage ends with Pepsiman being chased by an object,[3] including a giant Pepsi can.[4] In between stages, the player is shown videos of an American man drinking Pepsi and eating chips and pizza while watching television.[3]
Project CARS is intended to represent a realistic driving simulation. In order to differentiate the game from the established industry leaders, Gran Turismo and Forza Motorsport, Slightly Mad Studios' aim is a "sandbox" approach that allows the player to choose between a variety of different motorsports paths and grants immediate access to all included tracks and vehicles.[2]Project CARSportrays racing events spanning multiple days, progressing from shakedown and qualifying runs to the race itself, while changes in weather and lighting conditions are simulated dynamically.[3]
Project CARS adopts an improved version of the Madness engine, which was the basis for the Need for Speed: Shift titles.[4] More processing power available in modern computers allows for the introduction of a dynamic tire model named "SETA", rather than the steady-state model based on lookup tables, as seen in previous generation simulations.[5] To accommodate differing skill levels, Slightly Mad Studios offers gamers (with or without a digital wheel) various driver aids and input filtering methods.
There are 74 drivable cars,[6] over 30 unique locations with at least 110 different courses, of which 23 are real, with the remainder being fictional.[7] For licensing reasons, some tracks are currently codenamed using their geographic location. In addition to real world racing circuits and fictional kart circuits, there are two fictional point-to-point roads inspired by Côte d'Azur and California Pacific Coast.
On 6 August 2014, Slightly Mad Studios revealed which circuits would be included in the final game
Video Trailer :
System Requirements :
Project CARS Minimum Requirements
CPU:
Intel Core 2 Quad Q8400 or 3.0 GHz AMD Phenom II X4 940
CPU Speed:
Info
RAM:
4 GB
OS:
Windows Vista, Windows 7 with latest Service Packs
Video Card:
NVIDIA GeForce GTX 260 or ATI Radeon HD 5770 (1 GB VRAM)
Free Disk Space:
25 GB
Project CARS Recommended Requirements
CPU:
Intel Core i7 3700 or AMD FX-8350
CPU Speed:
Info
RAM:
8 GB
OS:
Windows 7 with latest Service Packs
Video Card:
NVIDIA GeForce GT 650 series or AMD Radeon HD 7000 series (2 GB VRAM)
dalam postingan ini saya sebagai pengurus blog ini mau membagikan emulator PS1 buat android Tentunya kalian ingin bernostalgia kembali dengan cara berbeda kan yaitu memainkan PS1 lewat android kalian langsung Langsung aja ya !
7Zipper app help you to browse (7Zipper is not just archiver/extractor but a super commander for file management, and it require some permissions.)
Features: - archive zip, 7zip, jar - extract zip, alz, egg, tar, tar.gz, tar.bz2, gz, bz2, rar, jar, 7zip, lzh support split zip archive (z01, z02 ..., zip.001, zip.002 ..)
- Multi-select - copy,move,paste (file, folder) - open,rename,delete (file, folder) - 7zip, zip,unzip,send as - sdcard usage - backup app - image viewer (support animated gif) - text viewer ( you can open large text file) - swf (flash) viewer - system information (cpu, memory, battery, network etc..) - task killer - ftp client - ftp server (you can manage files of your phone by wifi) - http server (you can manage files of your phone by wifi) - photo calendar (all of your photos will be sorted by the date automatically. you can browse your photos by calendar) - Hex Viewer - SDCard Storage Usage - Manage Default app launcher - Image Resize - file search & find string in text-files - memo widget - d-day widget - todo widget - calculator - support lan-network - support access for external storage / usb - support shortcut for system app permission manager - stopwatch (count down) - date calculator
The problem with horror video games is they’ve never really grown up. The movie industry occasionally throws out something fresh that grabs the public’s attention, but games seem stuck in the same old asylums, hospitals and graveyards. It’s obvious why these settings lend themselves so well to horror, but at this point that same obviousness weakens their actual impact on the player.Decay: The Mare is no different, losing points for an all-too-clichéd setting, but it earns some back by being an effective little puzzler that triumphs in storytelling and atmosphere, throwing in enough surprises that you’ll likely forgive its cheesier shortcomings.
There’s no escaping the fact that from the outset we’re in familiar territory, in both setting and gameplay. A brief intro video sets the scene: you’re playing Sam, an ex-drug addict who checks himself in to a rehab clinic somewhere unknown. It’s during his stay that dreams and reality start to merge as he finds himself unable to tell whether he’s living in a real life clinic or a Silent Hill-style other world full of whirring fans, industrial looking corridors and barred windows. The opening movie, whilst lacking any voice-over, does a good job of creating the unsettling audio atmosphere that Decay continues to impress with throughout, even if the imagery and style are no different than what you’d expect: hazy VHS images full of close-ups of smiling people in Polaroids, blood spatters and creepy looking rooms. A nice touch for the starting point (your room) is that you need to take the meds on the table before the story commences, giving an interesting ambiguity to the game that follows: is any of this real, or is it a drug-induced dream?
Split over three chapters, the game is played in slideshow-style, a familiar adventuring mechanic since the days of Myst. The images are clear and look pretty good in HD, if a little sparse on detail. You interact by moving the mouse to hotspots and travel by clicking the ever-present but unobtrusive directional arrows when you wish to move; one slide then fades into the next. It’s fairly easy to get around, although the slides are mostly locked-off shots when entering each room, so no matter which door you enter from, you’ll see the same view of the room – it can lead to some disorientation, but the layout isn’t so complex that you can’t get your bearings eventually. Each chapter has a different visual style to help differentiate them from one another. Chapter one is cold and desolate within the dilapidated corridors of the facility; whereas chapter two ups the intensity with a stronger orange palette, suggesting hellish heat as you venture lower in to the building’s bowels and boiler rooms; and finally the third act incorporates elements of the real world, like normal brighter-lit rooms, as Sam begins to get to the bottom of the mystery.
Animations are simplistic – I imagine the budget didn’t cover anything too extravagant – but you will find the odd piece of CGI, usually to punctuate a startling image, or a sudden pan of the camera, which helps to give a bit of life to the otherwise static scenes. As you move out of your room you’ll start exploring the “other world” version of the establishment. Walls are strewn with filth and the building is in disarray. The crux of the story is to try to make sense of this strange dreamlike world you’ve found yourself trapped in. Bit by bit the newspaper clippings and notes you find shed more and more light on Sam’s predicament – nurses not being what they seem to be, strange histories of other inmates and similar shady goings-on.
But of course there is no simple path to the truth. Throughout the corridors and rooms you’ll find all sorts of riddles and roadblocks hindering your progress. It’s important to take note (mentally; there’s no need for a pen and paper) of the things you see – the smallest of clues can help solve a riddle further on in the facility. For example, early on you’ll walk into a room with what seems like just an effective little scare tactic: a wall filled with paintings blinking at you. However, you’ll need to take more notice of them than you might initially think in order to aid your progress later on.
Difficulty is low, so don’t get too bogged down in details; the parts that help solve other parts are clearly linked. You’ll see the usual codes and sequences one would expect in this genre scrawled on walls, photos, etc., but the devices they relate to are fairly obvious when you reach them. This is particularly evident with the only “room maze” (another familiar adventuring mechanic); the directions you need to travel couldn’t have been more obvious if they were signposted. That said, the puzzles are enjoyable, with a high enough sense of achievement that you won’t feel like you’re breezing through them. If you do get stuck, a hint feature will lead you room by room to your nearest objective, or give you a subtle hint about a task to perform in the current room.
Obstacles are mostly logic-based, but the format is varied enough that you won’t feel too tired out by one particular type, and the reward is usually a door opening or an item revealing itself, leading you further into the unfolding story. There are occasional inventory items, but you won’t build up a big collection. There is also some good use of horror staples that lead to effective chills, such as the moment when you’re plunged into darkness and the only way to see is to take photos with your flash camera – you know what’s coming, but the anticipation leads to some good tension. Other items you’ll collect are usually single-purpose items, such as a telescope to read a distant message or a series of coloured balls that have to be placed in the correct order.
There’s a lot of backtracking within each of the three chapters, which can prove a little frustrating, especially in the first, which has the largest map and a requirement to schlep back and forth from start to finish. The chapters are self-contained, though, so once finished you won’t need to revisit anything from them. The story builds coherently as you proceed and weaves an effective little tale of psychosis and paranoia. I can’t give away too much, but suffice it to say the ending draws the threads of the narrative together in a satisfying and comprehensible conclusion without too much reliance on the player making up their own mind – something that can prove disappointing to a lot of us. There are actually two endings, determined by a single choice at the very end, but they don’t affect the story too much, they just create a different fate for Sam.
What Decay lacks in original setting it makes up for in atmosphere, with its highest achievement being its sound design. Right from the opening cinematic, the music is notable in quality. The synth soundtrack is an ominous presence throughout the game, punching key moments and enhancing fraught scenes. It isn’t overused, so when a piece tugging at the heartstrings plays… say, when looking at a sad Polaroid, its appearance makes the scene more poignant. Many lower-budget adventures think they can get away with just a single piece played on a loop, but a lot of effort has been put into using music effectively here. Similarly, the use of sound effects follows the less-is-more philosophy, meaning when you’re supposed to jump, the effects enhance the moment.
There are some other nice touches beyond the audio to make Decay’s horror more effective. The cinematics have some effectively disturbing images, such as a single red filament writhing on the floor, and a character you’ll encounter, named Bag, whose unique design is quite arresting in its macabre originality. I won’t spoil it, but its mix of innocence and grotesque disfigurement will leave an impact that lingers even after the game has ended.
Whilst falling into many of the tired horror (and to a lesser degree, adventuring) pitfalls that we all know and can easily sleep through, Decay: The Mare does manage to do enough right to help it stand out, as its rich use of sound and occasional glimpses of effective horror make it a short but satisfactory little chiller. Running around four hours in total for all three episodes, it isn’t the bulkiest of adventures, but its lighter load is spread effectively across brainteasers, observation puzzles, mazes and inventory obstacles to weave an interesting, coherent and satisfying psychological horror story. Whilst its setting is a little on the putrid side, it’s in the details that Decay comes up smelling of roses.
Video Trailer :
System Requirements :
Minimum system requirements:
Recommended system requirements:
CPU:
2.2 GHz Dual Core
CPU:
2.4 GHz Dual Core
RAM:
http://gamesystemrequirements.com/
2 GB RAM
RAM:
http://gamesystemrequirements.com/
2 GB RAM
GPU:
nVidia GeForce 205, Radeon HD 3400
GPU:
nVidia GeForce 205, Radeon HD 3400
DX:
Version 9.0c
DX:
Version 9.0c
OS:
http://gamesystemrequirements.com/
Windows XP 32 Bit / Vista / 7 / 8
OS:
http://gamesystemrequirements.com/
Windows XP 32 Bit / Vista / 7 / 8
Store:
2100 MB available space
Store:
2100 MB available space
Sound:
DirectX 9.0c compatible sound card with the latest drivers
Sound:
DirectX 9.0c compatible sound card with the latest drivers
This installment varies greatly from past games in the series. One of the game's key additions is the Renbu[11] system, a new way for characters to build up their attack combos. In previous installments in the series, combos were affected by the quality of weapon the character was wielding, with more powerful weapons allowing characters longer, more elaborate and often more powerful consecutive attacks. The Renbu system replaces this system with a gauge that gradually fills as you perform attacks. Performing attacks and dealing damage to the enemy fills the Renbu gauge, eventually earning a new rank/level, while taking damage and not attacking for a time drops the gauge; if you take a lot of damage or go for a long time without inflicting damage then the gauge may even drop back down to the previous level. However even at Renbu Rank 1 characters will be able to perform non-ending combos on the enemy. Without unlocking Renbu Ranks 3 and Infinite from the skill tree though, players can only progress to Renbu Rank 2 (with the exception of the temporary Rank Infinity acquired temporarily by collecting a certain item on the battlefield).
Another major addition is the skill tree, from which characters can earn higher Renbu Ranks, special abilities and improve their attributes. As the progression of the skill tree moves from left to right, those on the right side of the tree are harder to unlock than those on the left. Typically the one which unlocks Infinite Renbu is on the farthest right.
Unique movesets for each character have been largely reduced. Only characters who have Musou Mode receive original movesets; the rest of the characters playable only in Free Mode have cloned movesets based on the Musou Mode characters with altered properties (with the exception of Xiao Qiao, who retains her fan moveset). Due to the addition of Renbu system, the traditional "fourth weapon" from previous games have been removed with the three normal weapons no longer being quality-based. Each weapons obtained have random stats and effects implemented and the "weight system" from previous game have been replaced by weapon categories; Standard (default type), Strength (greater attack power at the cost of Renbu Gauge being kept for a smaller amount of time), and Skill (greater attack speed with low attack power). In addition to the new weapon system, it is now possible to block from any direction, for example, if a character is attacked from behind while blocking, they will rotate their body with their weapon in front of them to guard against the enemy's attack. This eliminates the need to quickly stop blocking, change direction, and press the guard button again. Unlike previous games, horses can be found by obtaining saddles randomly dropped from boxes or beaten officers. These horses can gain levels, skills, and some can even change into the legendary Red Hare, although this is very rare.
Musou Token which enables the use of Musou Rage have been removed. It is instead replaced by Tome item drop which allows the use of unique special attacks. There are five types of attacks; Swift Attack (increases the player's stats), Volley (launches waves of arrows), Fire (sets eruptions of fire), True Speed (boosts the player's speed), and Rockfall (launches giant boulders from above).
Dueling from Dynasty Warriors 4 returns, but has been revamped; duels now take place on the battlefield and the nearby soldiers will circle around the two fighters, and other officers may jump into the circle, as opposed to the duel taking place in an arena that appears out of nowhere.
Bases have been altered too; they are bigger and where, before, in order to open the outer gate to a base, the player had to defeat a defense captain, now they must simply break it down with attacks. There is also a new corporal unit which guards bases. Defeating troops and corporals within the base reduces the base's defense. When the defense of the base drops to zero, the player has claimed the base. However, defeating the corporal is worth defeating 20 troops while defeating the guard captain will automatically capture the base.
Two new 'innovations' to the series are the abilities to swim and climb ladders. The ladder means that the player can now climb onto castle battlements in scenarios such as theBattle of Hu Lao Gate, and dispose of enemy ballistas and the new 'guard' unit. The first ties in with the improvements to enemy AI, allowing them to travel across rivers and other bodies of water in order to attack you or allied bases. Swimming is now a part of scenarios such as the Battle of Fan Castle.
Video Trailer :
System Requirements :
MINIMUM SYSTEM REQUIREMENTS :
Pentium® 4 1.6GHz, Windows XP/Vista
512MB, 5GB or more of free space
640×480 High Color enabled
3D Accelerator with Hardware T&L and Pixel Shading supporting 128MB or more of VRAM
DirectX 9.0c+, DirectX 9.0c+ compliant
16-bit stereo with 44KHz playback supported by Windows XP/Vista
The game is set in the 1940s — early 1950s era of Empire Bay, a fictional city based on New York City, Chicago, Los Angeles, Boston and Detroit.[5][6] There are 30-40 vehicles in the game as well as licensed music from the era.[7]
Interacting with objects in the environment involves two action buttons- a standard action and a "violent" action (for example, when stealing a car, the player may choose to either pick its lock or break the window glass), used in context-sensitive situations. A map is included as in the original Mafia game, but the checkpoint system has been completely overhauled.[8][further explanation needed] New controls include a cover system that allows the player to take cover behind objects (such as generators, walls and large crates) and shoot enemies, rather than just entering an arbitrary crouch pose behind them.
The game's cutscenes are created by the game engine in real-time. For example, if the player is riding in a car and a cut scene starts, the player will be driving the same car with the same condition (damaged or intact) and will be wearing the same clothes.[9] There are exceptions, however: Scenes, such as the opening sequence and the Empire Arms Hotel explosion, are pre-rendered video clips.
Call of Juarez: Gunslinger is a linear first-person shooter game. Like the previous Call of Juarez games, the game consists of completing objectives to progress through the game. Staple gameplay elements of the series such as bullet-time and gunslingerduels make a return. A novel element is the occasional ability to dodge bullets via a quick time event.
The player can earn experience points and level up their skills, specializing in either dual pistols, shotguns, or rifles. The game allows the player to carry their accumulated skills over to replays, so they can eventually fully master all categories.
Scattered throughout the game are collectible secret items called "Nuggets of Truth", which recount the historical truths behind Silas' tales.
The story levels take place in the imagination of one of the bar patrons as Silas Greaves, an unreliable narrator, relates his travels. As his audience challenges the lies and inconsistencies in his tales, Silas revises his story, which results in abrupt changes to game environment (such as the sudden appearance and disappearance of an Apache army).
Aside from the Story mode, there is an Arcade mode wherein the player can fight off waves of enemies and a Duel mode where they can have a series of classic gun-slinger showdowns.
